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Die depressive Sara ist nicht nur vom Fernsehen besessen, sondern ebenso von dickmachenden Leckereien. Um der Fettleibigkeit zu entgehen, nimmt sie unzählige Diätpillen zu sich, die in eine weitere Sucht führen. Sohn Harry merkt nichts von der. aber am verstörendsten ist dennoch die Szene, in der Jennifer Connelly („​Noah“) als Marion ihren Körper für ein wenig Geld und Heroin an. Requiem for a Dream ist ein Drama des US-amerikanischen Regisseurs Darren Aronofsky aus In zwei direkt aufeinanderfolgenden Kameraeinstellungen ist Jennifer Connelly erst aus der Vogelperspektive in der Badewanne kauernd zu. bilinformation.se - Kaufen Sie Requiem For A Dream - Bir Rüya Icin Agit günstig ein. Regisseur: Darren Aronofsky; Darsteller: Jennifer Connelly, Jared Leto. (27x40) Requiem for a Dream Movie Jared Leto Ellen Burstyn Jennifer Connelly Original Poster Print by postersdepeliculas: bilinformation.se: Alle Produkte.

Requiem for a dream jennifer connelly

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If you want to make a comparison of her thespian skills throughout the years, watch the revived version of The Exorcist. She can only get better.

She takes on the role of Sarah Goldfarb with gusto, never backing down for a second. Totally throwing herself into the role, you tend to forget how she really looks like, given only fleeting moments in the film which suggest her real appearance.

I have to say, she's got guts. How many female actresses her age would dare to have a camera strapped to her person as Aronofsky so creatively did , an inch away from her face with a wide angle lens?

She definately deserves her Oscar nomination, if not, the Oscar itself, for her tour-de-force performance. The other characters themselves hold their own with the two abovementioned powerhouses.

Jennifer Connelly and Marlon Wayans both realistically portray their respective roles as Marion Silver, Harry's girlfriend and rebellious suburbanite chick, who degenerates to prostitution for her fix and Tyrone C.

Love, Harry's best friend and fellow pusher. Here, Wayans shows that he can lose his comic edge if needed, to portray a boy trapped in a man's body, just yearning for his mother's approval but seeking it instead, in drugs.

Connelly as well, who has been taking on smaller roles and projects over the last few years, is finally given enough room to play with her character and gives a winning performance in Requiem.

The cinematography of Matthew Libatique gives total light on the chracterizations of the people in habiting Aronofsky's sick world, from the sliently flickering sick-green flourescents to the exaggerated wide angle shots and the beautifully sad and haunting Coney Island picturesque of the pier which suggests a certain beauty amidst all the sadness and depravity.

In my books, Matthew Libatique has just joined those ranks. Jay Rabinowitz' editing stands out as well, with in-your-face smash title cards emphasising the downward crash of the character's lives through the seasons , as well as the close-up constructions of the drug taking process.

The latter sequences, edited so tightly and seamlessly, make the moment so beautiful but so fleeting, as is the case with drugs.

The sequences are almost like a drug, making you crave for more of them, a fix which you get, whenever the characters get their own fix in the film.

Lots of people might misinterpret this as glamourising the drug culture but these moments are so fleeting that they're over before you even know it, and then it's back to Harry, Marion, Sarah and Tyrone's sick and depraved search for the next fix, which very accurately portrays the twisted quest of a true and sincere addiction.

The film is also superbly scored by Clint Mansell and hauntingly performed by the Kronos Quartet. A series of hauntingly shocking, yet mind-numbingly beautiful pieces which linger in your head long after you've left the cinema.

Lastly, the direction of Aronofsky, brilliant, beautiful, empathic. There are not enough words to describe his direction or this film and I think the best way to say it is that I am speechless.

Aronofsky has shown me that, jaded by so many films, something can still prompt me to sit up and take notice. To see something that I have never seen before or learn something I don't already know.

The ending, is sheer power. A masterpiece of all the elements of what filmmaking is about, mixed together in some sick souffle and thrown into your face, burning hot and scalding.

The film leaves a deep impression, in fact, a huge scar. And it is a scar I am proud to wear. Looking for some great streaming picks?

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Rate This. The drug-induced utopias of four Coney Island people are shattered when their addictions run deep. Director: Darren Aronofsky.

Writers: Hubert Selby Jr. Watch on Starzplay with Prime Video Channels. Added to Watchlist. From metacritic.

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Indie films Favorite film featuring an amputee or amputation? Top Rated Movies 91 Nominated for 1 Oscar. The friendship proved genuine, as many of the group turned up as extras in the film.

Not all the parameters set to flesh out the character were self-imposed, however. To get into character as Marion, a dress designer, Connelly started making clothes for herself.

In fact, most of her wardrobe in the movie was self-made. Late into the film, as the core trio disband and their lives start to unravel, the emotional phone call between Marion and Harry is a brief moment of delicacy.

The call itself was done for real — both sides were shot simultaneously on adjacent parts of the set through a live phone hookup. Probably best to leave it there, Darren.

But it nearly never happened. It was only upon viewing Pi that she changed her mind. During production Burstyn went through four necks, two fat suits and nine wigs.

This was the take that made it into the film.

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